AutoBlur uses Apple’s Machine Learning to analyse each frame and generate an “importance map” that it thinks will be the focus of the frame.
The user can then adjust a lens blur and darkening effect to simulate a reduced depth of field or simply to draw the eye to the most important part of the image, or output the image with the importance map acting as an alpha channel to enable the user to apply differing filters to foreground and background, for instance, color correction.
Objects are not tracked between frames — each frame is analyzed on its own.
AutoBlur is compatible with Final Cut Pro, Motion, Premiere Pro and After Effects.
Presets contain a snapshot of your effect configuration. While no built-in presets are available through this parameter, you can still save and load your own preset files.
When you save parameter configuration to a file on disk, this file can later be loaded to recreate the same effect configuration. Presets generated in one video application can be used by the same plug-in running in a different video application.
How do I use the presets popup menu?The following options are available:
The following options are available:
Set to 0.25 by default. Only values between 0 and 1 are allowed.
Set to 40% by default.
Set to 20% by default.
Set to 0 by default. Only values between 0 and 10 are allowed.
Set to 0 by default. Only values between 0 and 10 are allowed.
Set to 0 by default. Only values between 0 and 10 are allowed.
Set to 0 by default. Only values between 0 and 10 are allowed.
Set to 5 by default. Only values between 0 and 10 are allowed.
Off by default.
Off by default.
Lets you track an object in your video. When object tracking is complete, keyframes that follow the motion of the object over time are automatically created.
The object tracker can be controlled on-screen in Final Cut Pro and Motion:
For more information on how to display on-screen controls in the Canvas:
Displaying on-screen controlsObjects can be tracked forward or backward relative to the current playhead location in your timeline. In most cases, you will want to position the playhead at the start of the clip:
Make sure the Spot Tracker option is enabled to prepare for tracking:
Position and resize the region around the object to be tracked:
Click the Track Forward button to begin analysis:
A window reports progress made so far:
Click the
button if you notice that the analysis seems to be following an object incorrectly. Reposition and resize the region before attempting to track the same object again.When the analysis is complete, keyframes are created to follow the object along its path.
The analysis proceeds in the background even if you click on a different window. You can check on the progress of your analysis by selecting the Spot Tracker command under themenu. If the command is missing from the menu, analysis is already complete.
When object tracking analysis is complete, the rectangular selection around each tracked object follows the object along its detected path.
Make sure the on-screen controls are currently visible in the Canvas in order to see and manipulate the region around each tracked object. Note that each video application has different rules for when on-screen controls are visible in the Canvas.
As you step forward or backward by a single frame, you may drag the region to the desired location. If the motion path seems to wander off by a significant amount, you can click the Track Forward or Track Backward buttons to restart the analysis after applying the desired corrections.
You may also step through all frames where the analysis did a poor job of tracking the object, and manually reposition the region to match the actual location of the object. This gives you the flexibility to use automatic object tracking to estimate a motion path, while making fine-grained adjustments for the perfect results.
Results of the object tracker depend heavily on the video being analyzed. When tracking objects in shaky video, increase the Smoothing level to prevent the resulting motion path from shaking along with the object. The current smoothing level is set through the options menu:
Remember to track the object again after changing the Smoothing level.
To speed up object tracking analysis in Final Cut Pro, transcode all clips to create Optimized Media.
A point parameter centered in the frame by default.
A point parameter centered in the frame by default.
Set to 50% by default.
Set to 100% by default.
Set to 1 by default. Only values between 0.1 and 3 are allowed.
Set to 0° by default.
Value must be between -180° and 180°.
Set to 0% by default.